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An Exorcise in Digital Painting

Last week with the snow storm of the decade looming, bundled up in front of my computer, I decided to pick up my Wacom tablet and paint a picture digitally. I am not a very experienced digital painter. I’ve only completed a small handful of pieces on the computer before, and none of them have made it into my portfolio. Sure, I use photoshop all the time to color correct, crop, and touch up photos and paintings all the time, but it is very rarely that I do the bulk of the painting on the computer screen.

I had the urge to go back to the computer screen primarily because of time. It takes me a very very long time to create a full scale, fully rendered painting by hand, and sometimes I lose interest in what I am painting or I have another great idea to work on before my first idea is fully realized. Especially for beauty shots like this, the idea and the passion to draw it only sticks around until the next pretty face comes along and I imagine something new; so there was a sense of urgency to get this face and this stunning collar down on paper before it was replaced by another figure in my mind.

The piece was inspired by a costume I saw at Templecon 2013. I used photo reference to sketch out the face and collar by hand, and then I also inked that preliminary sketch before scanning it into the computer. Once uploaded to photoshop, I started rendering by laying down basic blocky colors. Using photoshop is one of the only times that I render with an opaque medium, making it extra challenging to maintain my style. I blended the colors together using primarily the eye dropper and a soft, low opacity brush. I choose to render over some of my inking to turn the figure more in important or especially modeled places like the nose and lips. I left the collar and hair more linear and stylized because that is how I would have dealt with them were this painting done by hand. However by hand, I would have added the lines last, wherein photoshop, I started with all lines and selectively removed or covered them.

I textured the piece with pattern fills and spotty brushes. Adding texture in highly modeled digital pieces is very important in order to avoid a plastic looking finish. The skin has pores and fabrics have a coarseness to them that is easily neglected in digital pieces. Over all I like how this painting came out, and I think that I will be experimenting with digital painting more in the future.